Remote on Board brings Spotrack patented tracking
technology to both mouse and handlebar-based
systems.
Fixtures equipped with Spotrack On Board technology
require only minimal calibration and can be extended by
multiple additional fixtures, with each fixture requiring a
quick calibration.

If an On Board equipped fixture is not available a Spot-
Cam tracking camera can be used in its place.

Remote On Board is controlled via an intuitive touch
screen interface.
The multi-touch system puts full control over beams at
the operators finger tips, colour wheels, gobos and other
creative features may be defined in the fixture.
100mm sliders fall readily under each hand and can be
assigned to control any of the beam sliders, or additional
functionality such as zoom of the video feed or Z (height)
compensation.
Onscreen indicators in the dedicated video display keep
the user informed about any effects that are active, such
as the current colour wheel selection.

Remote on Board is the ideal tracking system where
setup time is at a premium, or simply when Handlebar
control is preferred.

Spotrack enables any moving light to work as a follow
spot.

When Spotrack is in control, the system works out
where the moving lights should point on the stage
in relation to where the operator is pointing on the
computer screen.

In real time Spotrack calculates Pan-Tilt values to aim
the lights under its control, constantly updating these
values as the operator follows the target.

Where the moving light supports it, Spotrack will
automatically shape the beam by calculating Dimmer,
Iris, Zoom and Focus values to keep the beam size,
brightness and sharpness as calibrated.

Spotrack technology frees spot operators to
concentrate on what they do best – following. Operators
can be positioned anywhere – including on the ground,
whilst controlling lights anywhere in the show.

A Spotrack system consists of one or two cameras*,
a computer with the Spotrack software and hardware,
and a DMX interface*.

The camera(s) are positioned to give a full view of the
stage. Live video from the active camera is shown on
a computer screen*, allowing the spot operator to follow
the performer with a mouse*.

DMX (via an interface*), Art-Net or sACN of multiple
universes is fed through Spotrack to the lights.
Spotrack works with any type of moving light, although
it works best with fast lights that can keep up!

Each moving light is calibrated so Spotrack knows
where it is relative to the stage. Calibration is quick and
easy, there are no sensors, belt packs, transmitters or
receivers to be setup, calibrated or worn by performers.

Spotrack has a control channel for each light that
hands control of the light to Spotrack or takes it back to
the desk for any other use.

Spotrack users can define areas to which creative
macros can be applied for effects

Spotrack is extensible if more than one performer must
be followed.

Spotwing is the latest accessory available for
the Spotrack and TracMe automated follow-spot
solutions.

Spotwing features robust metal construction and six
powered sliders with 100mm travel, two positions also
have wider spacing and a dry-wipe scribble strip.
Sliders may be assigned to the Spotrack calibrated
functions, such as Dimmer, Iris, Zoom and Focus or
used together with the powerful macros of Spotrack
to apply effects according to the slider position.

Combined with the included Stream Deck XL the
Spotwing powered sliders facilitate presets at single
or multiple slider level, enabling push button access to
different looks during the show.
The button layout on screen is completely user
definable with 32 assignable buttons.
Connectivity with Spotrack is simple with a single
USB 3 connection required.

Powerful and flexible configuration within
Spotrack lets you use Spotwing your
way.
Slider mode (e.g. boost or damp) and
function can be easily set.
Visualization of the slider positions is
configurable in color and style.
Haptic feedback is selectable per slider.
A short travel mode uses only the bottom
50mm of the slider for smaller hands.

TracMe enables any moving light to work as a follow
spot.

When TracMe is in control, the system works out where
the moving lights should point on the stage in relation to
where the operator is pointing on the computer screen.

In real time TracMe calculates Pan-Tilt values to aim the
lights under its control, constantly updating these values
as the operator follows the target.

Where the moving light supports it, TracMe will
automatically shape the beam by calculating Dimmer,
Iris, Zoom and Focus values to keep the beam size,
brightness and sharpness as calibrated.

TracMe technology frees spot operators to concentrate
on what they do best – following. Operators can be
positioned anywhere – including on the ground, whilst
controlling lights anywhere in the show.

A TracMe system consists of a camera*, a computer
with the TracMe software and hardware, and a DMX
interface*.

The camera is positioned to give a full view of the stage.
Live video from the camera is shown on a computer
screen*, allowing the spot operator to follow the performer
with a mouse*.

DMX (via an interface*) Art-Net or sACN of multiple
universes is fed through TracMe to the lights.

TracMe works with any type of moving light, although it
works best with fast lights that can keep up!

Each moving light is calibrated so TracMe knows where
it is relative to the stage. Calibration is quick and easy,
there are no sensors, belt packs, transmitters or receivers
to be setup, calibrated or worn by performers

.
TracMe has a control channel for each light that hands
control of the light to TracMe or takes it back to the desk
for any other use.

TracMe users can define areas to which creative macros
can be applied for effects.

TracMe is extensible if more than one performer must
be followed.