Our SynchroPoint is used to create a single fly point with a payload of 250kg @ 2 m/sec.

To ensure flexibility for the artistic team, the SynchroPoint was developed as a mobile lifting system. The SynchroPoint is a single point hoist that can move around the fly loft. It can be used for moving scenery or props precisely at a specific point, but can also be used to enforce a fly bar where needed. The SynchroPoint can be moved around and installed by a single operator and can be operated using the TNM.

Your benefits:

• Easy to move over the fly loft grid by only one technician
• Synchronous with the complete fly installation
• Quiet and fast
• Can be used for 3D flying
• The weight of the winch is separated from the actual drop point. This means it is better distributed on the fly loft floor
• Less impact on the building construction

Stage lifts exist in many different forms, and allow for quiet and gentle movements as well as stable support for stages. At Trekwerk, we refer to stage lifts when they are used to move parts of the stage. This can for example be used to optimize the sound of a band in a concert hall, such as here, or can be used as effects in shows.

However, we are also able to built orchestra pit lifts. The orchestra pit lift provides variable placement of the height of the orchestra pit. When no orchestra is present, an orchestra lift can be placed at stage level or audience level. It can then function as an extension of the stage and improvement of sightlines, or additional space for seating by adding seating wagons.

Depending on the situation in your theater, we decide on technical specifications and the right lifting system. Whether it’s a Spiralift, rack & pinion, spindles, scissors or counterweighted with steel wires, we have expertise in all areas.The lifting system is the basis of the stage lift, which allows the stage lift to be lifted in a steady and safe manner. The stage lift itself can be any size you desire and will be engineered based on your needs.

Your benefits:

• Best audience experience
• Facilitating artists in their creativity
• Customized solution, specifically designed to fit your needs
• Specialized engineers who thrive on a technical challenge
• Many options available
• No limits to what can be achieved
• Design teams that include you in their process
• Multifunctional systems
• SIL3 safety level
• Controlled by TNM

Our wire tension grid floor is designed in such a way that it is solid enough to walk on safely, but fine enough to not form an obstacle for the quality of the lighting on stage.
This means the stage lighting, which is situated above the tension grid, is fully accessible. Another benefit for this solution is that you do not have to enter the stage to reach the lighting. Cables and electrical wires as well as chain hoists can easily pass through. We design the tension grid custom to your situation. Together with BEO Staal, we find the best solution for your theater, studio or concert hall and produce the tension grid in our factory.

Our lamel grid is another version of a technical work floor above the stage. It is built up of different lamels, which can individually be flipped open. It is often used in theaters as this system has many benefits.
Each lamel can be flipped open, creating a gap, to lower a point hoist or chain hoist. The gap between each lamel when closed is a free space which can also be used to lower point or chain hoists. Cables can be neatly hidden underneath each lamel. The lamel floor is available in a variety of perforations or non-perforated options, depending on your acoustics and your local fire regulations (sprinkler systems).

The New Machine (TNM) has been used and enjoyed by operators worldwide for over 20 years. Being experienced as extremely user-friendly for both large and small stages and performances, the TNM is the ultimate software and client interface for the entertainment industry!

Our TNM control interface maximizes the freedom of creating complex shows safe and fast. With it’s dedicated keyboard and touch-screen, commands are entered just as they are spoken, eliminating the human error factor. Complex shows can be programmed swiftly and with ease, making the work with an artistic team a true joy.

TNM unleashes vast artistic possibilities and with more than half a million shows being programmed, it also is proven to be one of most safe and reliable systems available in the market. The cloud-based exchange of shows (automatic translation of cues between different theaters) made TNM the leading systems for receiving theaters. It’s integration with lighting and audio equipment, video-mapping and comprehensive interlocking facilities makes it the preferred tool for production houses.

The TNM is especially attractive for high demand theaters with quick changeovers between shows.

Your benefits:

• Fast programming & flexibility
• Includes a comprehensive effects engine
• Visualization
• Reliable rehearsing and performing
• Artistic and creative freedom
• Easy-to-use control system
• Effect engine to build complex movements, saving time
• Working cue-based, enhancing usability and time-management
• Multiple shows can be programmed simultaneously
• Multiple operators can work simultaneously
• Cloud-based exchanges of shows
• Add-ons to increase creativity, such as video-mapping, interlocking facilities and an object and flying module
• Being part of the TNM Club

Our SynchroPoint is used to create a single fly point with a payload of 250kg @ 2 m/sec.

To ensure flexibility for the artistic team, the SynchroPoint was developed as a mobile lifting system. The SynchroPoint is a single point hoist that can move around the fly loft. It can be used for moving scenery or props precisely at a specific point, but can also be used to enforce a fly bar where needed. The SynchroPoint can be moved around and installed by a single operator and can be operated using the TNM.

Your benefits:

• Easy to move over the fly loft grid by only one technician
• Synchronous with the complete fly installation
• Quiet and fast
• Can be used for 3D flying
• The weight of the winch is separated from the actual drop point. This means it is better distributed on the fly loft floor
• Less impact on the building construction

Stage lifts exist in many different forms, and allow for quiet and gentle movements as well as stable support for stages. At Trekwerk, we refer to stage lifts when they are used to move parts of the stage. This can for example be used to optimize the sound of a band in a concert hall, such as here, or can be used as effects in shows.

However, we are also able to built orchestra pit lifts. The orchestra pit lift provides variable placement of the height of the orchestra pit. When no orchestra is present, an orchestra lift can be placed at stage level or audience level. It can then function as an extension of the stage and improvement of sightlines, or additional space for seating by adding seating wagons.

Depending on the situation in your theater, we decide on technical specifications and the right lifting system. Whether it’s a Spiralift, rack & pinion, spindles, scissors or counterweighted with steel wires, we have expertise in all areas.The lifting system is the basis of the stage lift, which allows the stage lift to be lifted in a steady and safe manner. The stage lift itself can be any size you desire and will be engineered based on your needs.

Your benefits:

• Best audience experience
• Facilitating artists in their creativity
• Customized solution, specifically designed to fit your needs
• Specialized engineers who thrive on a technical challenge
• Many options available
• No limits to what can be achieved
• Design teams that include you in their process
• Multifunctional systems
• SIL3 safety level
• Controlled by TNM

Our wire tension grid floor is designed in such a way that it is solid enough to walk on safely, but fine enough to not form an obstacle for the quality of the lighting on stage.
This means the stage lighting, which is situated above the tension grid, is fully accessible. Another benefit for this solution is that you do not have to enter the stage to reach the lighting. Cables and electrical wires as well as chain hoists can easily pass through. We design the tension grid custom to your situation. Together with BEO Staal, we find the best solution for your theater, studio or concert hall and produce the tension grid in our factory.

Our lamel grid is another version of a technical work floor above the stage. It is built up of different lamels, which can individually be flipped open. It is often used in theaters as this system has many benefits.
Each lamel can be flipped open, creating a gap, to lower a point hoist or chain hoist. The gap between each lamel when closed is a free space which can also be used to lower point or chain hoists. Cables can be neatly hidden underneath each lamel. The lamel floor is available in a variety of perforations or non-perforated options, depending on your acoustics and your local fire regulations (sprinkler systems).